Fleeting
In an eerie underworld of minerals, a performer applies powdered chalk onto her skin and starts moving.
Through details and contrasts, circus and dance meet in a search for the mesmeric and uncompromising truths and intentions of the body.
In a ritualistic whirlwind of compelling and striking imagery, through silhouettes, shadows, bespoke music composition and her singing voice, the performer connects with the audience in a gentle invitation, anchored in a pact of rawness, to reflect on the ephemeral, absurd and cyclical; the echoes, trails and traces of the human experience.
Supported by Culture Ireland